long highway; paralysing

long highway; paralysing

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I love music, tv shows and smashing capitalism

“BBC America‘s clone drama returned Saturday night with its best-ever A18-49 rating and now is the network’s second-highest-rated series in the demo, behind only Doctor Who.”

Deadline Hollywood

Orphan Black recorded a total of 785,000 across multiple plays — premiering with 620,000 total viewers and 391,000 demo viewers. On Saturday, the series reached a new high on Twitter, reaching 1.2 million unique users with more than 43,000 tweets about the show. This is up 185% from the previous best (Season 1 finale) and nearly six times greater than the series premiere. The premiere episode alone generated nearly 36,000 tweets, beating several high-profile premieres this season including Fargo, Homeland, True Detective, Vikings, The Americans, Turn and Arrow.

(via ebrodevo)

Who am I?

cosimaniehaus324-b21:

Tatiana slipping into a British accent when she’s acting as a British person acting as an American when she’s Canadian

“Being brave doesn’t mean you aren’t scared. Being brave means you are scared, really scared, badly scared, and you do the right thing anyway”

Neil Gaiman, Coraline (via dutchster)

paolo roversi for dior magazine [feb. 2014]

kyung-soo:

when u can tell which era a gif or a pic is from by the member’s hair and clothes u know ur in too deep

ohnownowgifs:

Sara almost falls

(x)

“For those people who identify themselves (or who are identified by others) as mixed raced, however, the artifice of race is often visible, self-evident, and even inescapable. People whose families include members of different races, for example, can rarely take race for granted. If for no other reason than self-defense, they need to learn the nature of the racial regimes that they and their relatives are certain to encounter, even in the most causal social interactions. Under the best of circumstances, mixed-race identity requires a performative dimension similar to the racial masquerading of Korla Pandit. Under some circumstances, it can provide a useful optic on power, a privileged standpoint from which important aspects of social relations can be absorbed, analyzed, and understood.
Yet mixed-race identity can also be a source of great personal pain and considerable political disempowerment. Of course, all people are mixed race, because pure races do not exist. The history of humans has been a history of intermixing. Even among those who recognize that all identities are socially constructed, that all ethnic groups are coalitions, and that all racial identities are political, provisional, and strategic constructions rather than biological or anthropological facts, mixed-race people can sometimes find themselves unwanted in any group, ridiculed as disloyal, despised as the “other’s other,” because they carry within their embodied selves an identity that seems to threaten the unity and uniformity of aggrieved collectivities.”

George Lipsitz, Footsteps in the Dark: the Hidden Histories of Popular Music (via commodiana)

Tagged: #tru

shitnevergetsold:

sometimes i just need to sit in the dark and listen to missy higgins super loud

alisonmotherfuckinghendrix:

when i find myself in times of trouble

sarah manning comes to me

speaking words of wisdom

get your shit together ya silly tit

wepostthingsaboutthejezabels:

The Jezabels performing an acoustic gig for musicfeeds.au.com

zkac:

what’s Whitney Houston’s favorite type of coordination?

HAAAAAAAAAND EYEEEEEEEEEE

SML